Race and the Modern Exotic
Three 'Australian' Women on Global Display
By Angela Woollacott
... these biographies are immaculately researched, stand as exemplary models of biography in context, and complicate existing understandings about race, gender, and popular culture. And best of all, the style is engaging and highly readable — I couldn’t put the book down.
— Richard Waterhouse, Biography 35.2, Spring 2012
Annette Kellerman, Rose Quong and Merle Oberon were internationally successful ‘Australian’ performers of the first half of the twentieth century.
Kellerman was a swimmer, diver, lecturer, and silent-film star, Quong an actor, lecturer and writer who forged a career in London and New York, and Oberon one of the most celebrated film stars of the 1930s and 1940s, first in London and then Hollywood.
Through her international vaudeville performances and film roles, Kellerman played with the quasi-racial identity of South Sea Islander. Quong built a career based on her own body, through a careful appropriation of Orientalism. Her body was the signifier of her Chinese authenticity, the essentialist foundation for her constructed, diasporic Chinese identity. The official story of Oberon’s origins was that she was Tasmanian. However, this was a publicity story concocted at the beginning of her film career to mask her lower-class, Anglo-Indian birth. Despite anxious undercurrents about her exoticism, Australians were thrilled to claim a true Hollywood star as one of their own.
These three women performers created newly modern, racially ambiguous Australian femininities. Racial thinking was at the core of White Australian culture: far from being oblivious to racial hierarchies and constructions, Australians engaged with them on an everyday basis. Around the world, ‘Australian’ stars represented a white-settler nation, a culture in which white privilege was entrenched, during a period replete with legal forms of discrimination based on race. The complex meanings attached to three successful ‘Australian’ performers in this period of highly articulated racism thus become a popular cultural archive we can investigate to learn more about contemporary connections between race, exoticism and gender on the global stage and screen.
About the author
Angela Woollacott is the Manning Clark Professor of History, and Head of the School of History, at the Australian National University. She works in the fields of Australian history, British Empire history, and feminist and postcolonial history. Her books include On Her Their Lives Depend: Munitions Workers in the Great War (1994); To Try Her Fortune in London: Australian Women, Colonialism and Modernity (2001); and Gender and Empire (2006).
For media inquiries, please contact our Marketing Coordinator, Sarah Cannon.
While many of our books are published online for free, this does not mean that the books are in the 'public domain': copyright laws do still apply.
Copyright for all material published on this site is owned or licensed exclusively to Monash University Publishing. All rights reserved. Apart from any uses permitted by Australia's Copyright Act 1968, no part of this book may be reproduced by any process or in any form without prior written permission of the copyright owners. Inquiries should be directed to the publisher, Monash University Publishing.
Readers are free to read, copy, download, print and display a work provided that:
• this is solely for personal use or use within the reader’s organisation;
• full acknowledgement is made of the author/s and the original copyright owner;
• the work is not used for any commercial gain in any form; and
• the reader in no way alters, transforms or builds on the work outside of its use in normal academic scholarship without the express permission of the author and publisher of the publication in question.
In all cases of re-use or distribution, readers or authors must make clear to others the license terms of the work. Enquiries should be directed to Monash University Publishing.
Authors of Monash University Publishing titles are not permitted to publish these works on any website other than their personal sites, without written permission from the publisher. Authors are encouraged to post the title of their book on any website and post links on any site that direct readers to the Monash University Publishing site.Every effort has been made to obtain copyright permissions for the images reproduced in our publications. If you are a copyright owner of materials reproduced in one of our works and have concerns regarding their use please contact Monash University Publishing.