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Intersections and Counterpoints

Proceedings of Impact 7, an International Multi-Disciplinary Printmaking Conference

Edited by Luke Morgan

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Contemporary printmaking is a rapidly changing field of artistic practice. It encompasses cutting-edge digital technologies as well as centuries-old techniques of representation. It is at the forefront of current redefinitions of the expanding mediums of artistic and everyday expression, from the traditional book to the electronic image. Intersections and Counterpoints: Proceedings of the Impact 7 International Multi-Disciplinary Printmaking Conference provides a unique survey of recent developments in printmaking practices throughout the world. Ninety-six authors, including many of the world’s leading authorities, address key themes in the practice, theory and history of the print including: pedagogy and the industries that surround the print; artists’ engagement with new technologies; the evolving materials, processes and techniques of printmaking; the artist’s book; the print’s relation to history, memory and the archive; and the status of authorship, collaboration and reproduction in printmaking today. The book is essential reading for anyone interested in the past, present and future of the print.

Dr Luke Morgan is a Senior Lecturer in Art History and Theory in the Faculty of Art Design & Architecture at Monash University. In 2004, he was the Harold Wright and Sarah and William Holmes Scholar in the Department of Prints and Drawings at The British Museum. The University of Pennsylvania Press published his book Nature as Model on the French architect and polymath Salomon de Caus in 2007. He is currently writing a book about monsters in Renaissance landscape design funded by an ARC Discovery Project grant and the Graham Foundation.

Contributors

Syed Muhammad Iyhab Abdullah, University of New South Wales, Australia
Brook Andrew, Monash University, Australia
Marion Arnold, School of the Arts, Loughborough University, United Kingdom
Karen Ball, Sydney College of the Arts, Australia
Roderick Bamford, College of Fine Arts, University of NSW, Australia
Gene Bawden, Monash University, Australia
Janet Bellotto, Zayed University, United Arab Emirates
Bepen Bhana, Whitecliffe College of Arts & Design, New Zealand
Terri Bird, Monash University, Australia
Sarah Bodman, University of the West of England, United Kingdom
Deidre Brollo, Australia
Duncan Bullen, University of Brighton, United Kingdom
Susanna Castleden, Curtin University, Australia
Leong K. Chan, University of New South Wales, Australia
Jazmina Cininas, RMIT University, Australia
Paul Coldwell, University of the Arts London, United Kingdom
Joel Collins, Monash University, Australia
Leonie Cooper, Monash University, Australia
Deborah Cornell, Boston University, United States of America
Maryanne Coutts, National Art School, Australia
Marian Crawford, Monash University, Australia
Elizabeth Delfs, Fremantle Arts Centre, Australia
Johanna Drucker, University of California, Los Angeles, United States of America
Jennifer Eiserman, University of Calgary, Canada
Jennifer Ferng, University of Sydney, Australia
David Ferry, University of Wales Institute, United Kingdom
Elena Galimberti, Monash University, Australia
Wendy Garden, Maroondah Art Gallery, Australia
Anna Grieve, The University of Melbourne, Australia
Sasha Grishin, Australian National University, Australia
Mark Guglielmetti, Monash University, Australia
Inga Hanover, Monash University, Australia
Richard Harding, RMIT University, Australia
Fiona Harrisson, RMIT University, Australia
Brad Haylock, Monash University
Nicci Haynes, Megalo Print Studio and Gallery, Australia
Christopher P. Heuer, Princeton University, United States of America
Jan Hogan, Canberra School of Art, Australian National University, Australia
Stephen Hoskins, University of the West of England, United Kingdom
Clare Humphries, RMIT University, Australia
Gerald Hushlak, University of Calgary, Canada
Indae Hwang, Monash University, Australia
Liz Ingram, University of Alberta, Canada
Troy Innocent, Monash University, Australia
Shelley James, Royal College of Art, United Kingdom
Sarah Jones (Stubbs), Monash University, Australia
Barbara Kameniar, Melbourne University, Australia
Jennifer Kamp, Victoria University, Australia
Michael Kempson, University of New South Wales, Australia
Anne Kirker, Australia
Wallace Kirsop, Monash University, Australia
Anita La Pietra, La Trobe University, Australia
Paul Laidler, University of the West of England, United Kingdom
Debra Livingston, The University of the Sunshine Coast, Australia
Marian Macken, University of Sydney, Australia
Gian Manik, Monash University, Australia
Christopher R. Marshall, The University of Melbourne
Louise Mayhew, University of New South Wales, Australia
Rebecca Mayo, RMIT University, Australia
Jennifer McKnight, University of Missouri–St. Louis, United States of America
Faith McManus, Northtec, New Zealand
Melissa Miles, Monash University, Australia
Gordon Monro, Monash University, Australia
Luke Morgan, Monash University, Australia
Jacqueline Naismith, Massey University, New Zealand
Peter Nelson, University of New South Wales, Australia
Robert Nelson, Monash University, Australia
Hung Ky Nguyen, Curtin University, Australia
Darragh O’Brien, Darragh O’Brien Architects, Australia
Simone O’Callaghan, University of Dundee, United Kingdom
Melissa Olen, Excelsus Solutions, LLC, United States of America
Karen Oremus, Zayed University, United Arab Emirates
Tim O’Riley, University of the Arts London, United Kingdom
Annette O’Sullivan, Massey University, New Zealand
Stephen Palmer, Monash University, Australia
Spiros Panigirakis, Monash University, Australia
Mike Parr
Ruth Pelzer-Montada, Edinburgh College of Art, UK
Kevin Petrie, University of Sunderland, United Kingdom
Elizabeth Rankin, University of Auckland, New Zealand
Macushla Robinson, Art Gallery of New South Wales, Australia
Lisa Slade, Art Gallery of South Australia and Monash University, Australia
Tom Sowden, Unversity of the West of England, United Kingdom
Pat Thomas, Edith Cowan University, Australia
Justin Trendall, The University of Sydney, Australia
Teal Triggs, Royal College of Art, United Kingdom
Penelope Trotter, Australian Catholic University, Australia
Paul Uhlmann, Edith Cowan University, Australia
Michael Vale, Monash University, Australia
Christopher Waller, Monash University, Australia
Trent Walter, Monash University, Australia
Jude Walton, Victoria University, Australia
Gali Weiss, Independent artist/scholar
Li Wenmin, The University of New South Wales, Australia
Tracey Williams, University of Auckland, New Zealand
Kit Wise, Monash University, Australia
David Wlazlo, Monash University, Australia
Sophia Xeros-Constantinides, Monash University, Australia
Barbara Zeigler, The University of British Columbia, Canada

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